#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
#
A
Z
The Spirit of Mountain
Current
2020
list Article list

The Spirit of Mountain

Exploring the synergy between nature and the man-made by reconstructing the relationship between mountains, waters, plants and buildings

My drawing – The Spirit of Mountain – explores cities and nature as separate entities that are often juxtaposed. The combination of a real working city with nature is certainly much more complicated than a formal concept as seen in The Spirit of Mountain, but in this work my aim is to provide a vision for the future city.

#
The Spirit of Mountain - Weicheng Ye

One of the inspirations for my work is spatial sequencing as found in Chinese classical gardens. A good example is Dongyuan Garden(《东园图》),a famous painting depicting the traditional Chinese Garden. In this painting, you can see a series of scenes that unfold from right to left. They are full of stories and interesting details. It is a bit like a continuous cartoon put together. To my mind, spatial sequencing is a kind of spatial rhythm feeling similar to music.

#
 

The Spirit of Mountain is actually interpreted from Travel Map of Xishan(《溪山行旅图》)created by Fan Kuan(范宽)in the Northern Song Dynasty. The reason why I chose this painting is that the natural landscape depicted in this drawing is very powerful to me, and the picture is full of compelling and intricate detail together with a definitive decorative appeal. My drawing is an interpretation of this original work as described in the diagram below.

#
#
 

Saying that, I interpret the original work with modern architectural form by transforming its stones into architectural blocks in my drawing. I also revisit the original and its composition, its spatial quality, its texture as well as its narrative. For example, in my work I accommodate additional spatial sequences both in terms of movement from top to bottom and also in terms of the depth of my drawing.  There is a purposefully strong a layered feeling in my drawing with its plants, stones, water and the architectural blocks.  Moreover, holes or windows are made out of the blocks in order to increase the sense of depth.

The water flow in my work is intertwined with nature and architecture thus connecting other elements as well as acting as a hidden axis within the drawing. The texture of The Spirit of Mountain  is there to give the viewer a sense of decoration while vividly depicting the objects. And although there are no characters in my painting, I added platforms and windows to indicate the vistas and viewing points for narrative purposes that hopefully engage the viewer as part of the story.

 

Weicheng Ye’s drawing was made using simple pencils and was praised by The Architecture Drawing Prize jury for its delicacy and imaginative play on a contemporary building aesthetic using nature as artistic intervention. The Spirit of Mountain won The Architecture Drawing Prize’s hand-drawn category and is on exhibit at Sir John Soane’s Museum in London until 7 May 2023.

#