- Make models: 20 Ropemaker Street, part 2
- Balance
- Interview with Lendlease’s Natalie Slessor
- Draw to Make
- Betts Project
- Music and the workplace
- Combatting loneliness in the built environment
- Wellbeing and the Workplace
- Interview with Brookfield Properties’ Peter Clarke
- Make models: 20 Ropemaker Street, part 3
- Interview with Argent’s Nick Searl
- Make models: 20 Ropemaker Street, part 1
- The smart workplace
- Interview with General Projects’ Jacob Loftus
- Make’s past, present and future
- The Architecture Drawing Prize – Not just another competition
- Leaving a mark
- My time with the BCO
- The call of the wild
- Long live the office
- The art of an art historian
- Mary, queen of hotels
- Make models: Portsoken Pavilion
- The Make Charter
- Why Brexit will see a glass half-full emptied
- Make models: LSQ London
- Disappearing Here – On perspective and other kinds of space
- Drawing and thinking
- Drawing to an end?
- Making shops exciting again: Lessons from the Nordics (part 1)
- Make models: Grosvenor Waterside
- Drawing architecture
- The Hollow Man: poetry of drawing
- Above and beyond
- Interview with Lendlease’s Kevin Chapman
- Making shops exciting again: Lessons from the Nordics (part 2)
- Plein air in the digital age
- A “Plan in Impossible Perspective”
- Art Editor’s picks
- Making shops exciting again: Lessons from the Nordics (part 3)
- The future of bespoke HQs
- Make models: The Luna
- World-class architecture
- The Architecture Drawing Prize exhibition review
- The future is bright but not the same
- Employee ownership
- The tools of drawing
- Trecento re-enactment
- Lessons on future office design from Asia Pacific
- The human office
- How drawing made architecture
- Advocating sustainable facade design
- Make models: FC Barcelona’s Nou Palau Blaugrana
- Drawing as an architect’s tool
- Are you VReady?
- Cycle design for the workplace
- The Architecture Drawing Prize
- Make models: an urban rail station
- Reporting from Berlin
- City-making and Sadiq
- Hand-drawing, the digital (and the archive)
- Ken Shuttleworth on drawing
- The green tiger
- Stefan Davidovici – green Mars architect
- When drawing becomes architecture
- Make models: Swindon Museum and Art Gallery
- The role of the concept sketch
- Make calls for a cultural shift in industry’s approach to fire safety
- 2036: A floor space odyssey
- Harold on tour
- London refocused
- Hotels by Make
- Full court press
- Digital Danube
- Don’t take a pop at POPS
- The future of architecture – Matthew Bugg
- The future of architecture – Jet Chu
- The future of architecture – Robert Lunn
- The future of architecture – David Patterson
- The future of architecture – Rebecca Woffenden
- The future of architecture – Katy Ghahremani
- Safer streets for all
- The importance of post-occupancy evaluation for our future built environment
- Put a lid on it
- Designing for a liveable city
- The future of architecture – Bill Webb
- Bricks – not just for house builders
- Designing in the City of Westminster
- Rolled gold
- How to make a fine suit
- Responsible sourcing starts with design
- Is off-site manufacture the answer?
- Developing a design for the facade of 7-10 Hanover Square
- Curious Sir Christopher Wren
- Responsible resourcing should be an integral part of every project
- The socio-economic value of people-focused cities
We asked ten architects – each of whom joined Make in a different year since 2004 – to write about how they see architecture and the built environment changing over the next ten years. Here are their responses.
With the recent rise in Design and Build contracts and other forms of procurement, the role of architects in the construction industry has undergone a dramatic shift. Our emphasis is gradually becoming front-end and it’s becoming harder to retain control of the detail and final design of our buildings. Architects should start to look at the services we offer clients and try to maximise where we can add value to the process, and keep our involvement in schemes for as long as possible to ensure the outcome matches our expectations. We should offer a service that embraces the client’s broader aims and goes beyond just the ‘building’. By diversifying into areas such as branding, product design and interior design, we will be able to offer clients more for their money and have greater input into the final inhabited environment.
As technologies in both the construction and design industries rapidly develop and change, the way we work needs to adapt. The tools the architect employs in the future will be based much more in the digital world, with BIM (Building Information Modelling) featuring heavily. However, while these new technologies play a significant role in the detailed stages of a project, we must not lose the more traditional skills and methods of design – such as sketching and model-making – that help the initial designs develop.
From a woman’s point of view, the construction industry is slowly becoming less dominated by men and more projects have multiple women as key members of the design team, rather than just being on the periphery. With architectural practices gradually embracing flexible working hours, women can start to achieve greater balance in their family and professional lives and I’m optimistic that this can only get better in the future.
With architectural practices gradually embracing flexible working hours, women can start to achieve greater balance in their family and professional lives