- Interview with Argent’s Nick Searl
- Leaving a mark
- Interview with Lendlease’s Natalie Slessor
- Make models: 20 Ropemaker Street, part 2
- Balance
- The Value of the Drawing
- Interview with Brookfield Properties’ Stuart Harman
- Draw to Make
- Music and the workplace
- Betts Project
- Wellbeing and the Workplace
- Interview with Lendlease’s Kevin Chapman
- Interview with Brookfield Properties’ Peter Clarke
- Combatting loneliness in the built environment
- Make models: 20 Ropemaker Street, part 3
- Make models: 20 Ropemaker Street, part 1
- The smart workplace
- Interview with General Projects’ Jacob Loftus
- Make’s past, present and future
- The Architecture Drawing Prize – Not just another competition
- My time with the BCO
- The call of the wild
- Long live the office
- The art of an art historian
- Mary, queen of hotels
- Make models: Portsoken Pavilion
- The Make Charter
- Make models: LSQ London
- Disappearing Here – On perspective and other kinds of space
- Why Brexit will see a glass half-full emptied
- Drawing and thinking
- Make models: Grosvenor Waterside
- The Hollow Man: poetry of drawing
- Above and beyond
- Making shops exciting again: Lessons from the Nordics (part 1)
- Making shops exciting again: Lessons from the Nordics (part 2)
- Plein air in the digital age
- A “Plan in Impossible Perspective”
- Making shops exciting again: Lessons from the Nordics (part 3)
- The future of bespoke HQs
- World-class architecture
- Make models: The Luna
- Drawing architecture
- The future is bright but not the same
- Art Editor’s picks
- Employee ownership
- The tools of drawing
- Trecento re-enactment
- The Architecture Drawing Prize exhibition review
- Lessons on future office design from Asia Pacific
- The human office
- How drawing made architecture
- Advocating sustainable facade design
- Make models: FC Barcelona’s Nou Palau Blaugrana
- Drawing as an architect’s tool
- Are you VReady?
- Cycle design for the workplace
- The Architecture Drawing Prize
- Make models: an urban rail station
- Reporting from Berlin
- City-making and Sadiq
- Hand-drawing, the digital (and the archive)
- Ken Shuttleworth on drawing
- The green tiger
- Stefan Davidovici – green Mars architect
- When drawing becomes architecture
- Make models: Swindon Museum and Art Gallery
- The role of the concept sketch
- Make calls for a cultural shift in industry’s approach to fire safety
- 2036: A floor space odyssey
- Harold on tour
- London refocused
- Hotels by Make
- Full court press
- Digital Danube
- Don’t take a pop at POPS
- The future of architecture – Matthew Bugg
- The future of architecture – Jet Chu
- The future of architecture – Robert Lunn
- The future of architecture – David Patterson
- The future of architecture – Rebecca Woffenden
- The future of architecture – Katy Ghahremani
- Safer streets for all
- The importance of post-occupancy evaluation for our future built environment
- Put a lid on it
- Designing for a liveable city
- The future of architecture – Bill Webb
- Bricks – not just for house builders
- Designing in the City of Westminster
- Rolled gold
- How to make a fine suit
- Responsible sourcing starts with design
- Is off-site manufacture the answer?
- Developing a design for the facade of 7-10 Hanover Square
- Curious Sir Christopher Wren
- Responsible resourcing should be an integral part of every project
- The socio-economic value of people-focused cities
We asked ten architects – each of whom joined Make in a different year since 2004 – to write about how they see architecture and the built environment changing over the next ten years. Here is Matt’s response.
I predict more intensive studies of materials and construction methods throughout the design of commercial buildings over the next decade. This is already happening on our 5 Broadgate project, where extensive material research has driven energy performance targets. Energy use will continue to drive design and this will be coupled by expanding research through education. BIM (Building Information Modelling) will allow materials and construction methodologies to be harnessed alongside costs, to further inform our clients earlier in the design process. Rapid design iterations will become the norm.
Energy use will continue to drive design and this will be coupled by expanding research through education.
I also see social networking tools becoming prevalent in connecting architects with new clients and maintaining relationships with the best collaborators. These tools, which will become part of a designer’s daily work, will also help to make new connections and relationships which may not have previously come about. The globalisation of ideas has already ignited a new thinking structure based on these rapidly evolving social networks.
Physical architecture will be able to adapt to these new networks by harnessing micro-technologies. Small computers like the Raspberry Pi released this year could be embedded in architectural components, to record performance but also to communicate with other components – and perhaps even other buildings. There will be a lot more work ‘on the go’ and whether software or hardware, both will develop to place us in the best location for the design task.
