- Interview with Argent’s Nick Searl
- Leaving a mark
- Interview with Chinachem’s Donald Choi
- Interview with Lendlease’s Natalie Slessor
- Make models: 20 Ropemaker Street, part 2
- Balance
- The value of the drawing
- Museum for Architectural Drawing, Berlin
- Interview with Brookfield Properties’ Stuart Harman
- Drawing details – technical and poetic
- Draw to Make
- Music and the workplace
- Betts Project
- Wellbeing and the workplace
- Interview with Lendlease’s Kevin Chapman
- Interview with Brookfield Properties’ Peter Clarke
- An update from Sydney
- Combatting loneliness in the built environment
- Make models: 20 Ropemaker Street, part 3
- Sydney born and razed
- Make models: 20 Ropemaker Street, part 1
- The smart workplace
- Interview with General Projects’ Jacob Loftus
- Make’s past, present and future
- The Architecture Drawing Prize – Not just another competition
- Community connections
- My time with the BCO
- The call of the wild
- Long live the office
- The art of an art historian
- Mary, queen of hotels
- Make models: Portsoken Pavilion
- The Make Charter
- Make models: LSQ London
- Disappearing Here – On perspective and other kinds of space
- Why Brexit will see a glass half-full emptied
- Drawing and thinking
- Make models: Grosvenor Waterside
- The Hollow Man: poetry of drawing
- Above and beyond
- Making shops exciting again: Lessons from the Nordics (part 1)
- Making shops exciting again: Lessons from the Nordics (part 2)
- Plein air in the digital age
- A “Plan in Impossible Perspective”
- Making shops exciting again: Lessons from the Nordics (part 3)
- The future of bespoke HQs
- World-class architecture
- Make models: The Luna
- Drawing architecture
- The future is bright but not the same
- Art Editor’s picks
- Employee ownership
- The tools of drawing
- Trecento re-enactment
- The Architecture Drawing Prize exhibition review
- Lessons on future office design from Asia Pacific
- The human office
- How drawing made architecture
- Advocating sustainable facade design
- Make models: FC Barcelona’s Nou Palau Blaugrana
- Drawing as an architect’s tool
- Are you VReady?
- Cycle design for the workplace
- The Architecture Drawing Prize
- Make models: an urban rail station
- Reporting from Berlin
- City-making and Sadiq
- Hand-drawing, the digital (and the archive)
- Ken Shuttleworth on drawing
- The green tiger
- Stefan Davidovici – green Mars architect
- When drawing becomes architecture
- Make models: Swindon Museum and Art Gallery
- The role of the concept sketch
- Make calls for a cultural shift in industry’s approach to fire safety
- 2036: A floor space odyssey
- Harold on tour
- London refocused
- Hotels by Make
- Full court press
- Digital Danube
- Don’t take a pop at POPS
- The future of architecture – Matthew Bugg
- The future of architecture – Jet Chu
- The future of architecture – Robert Lunn
- The future of architecture – David Patterson
- The future of architecture – Rebecca Woffenden
- The future of architecture – Katy Ghahremani
- Safer streets for all
- The importance of post-occupancy evaluation for our future built environment
- Put a lid on it
- Designing for a liveable city
- The future of architecture – Bill Webb
- Bricks – not just for house builders
- Designing in the City of Westminster
- Rolled gold
- How to make a fine suit
- Responsible sourcing starts with design
- Is off-site manufacture the answer?
- Developing a design for the facade of 7-10 Hanover Square
- Curious Sir Christopher Wren
- Responsible resourcing should be an integral part of every project
- The socio-economic value of people-focused cities
Katy is based in our London studio, and has significant experience in the hotel sector on both the architecture and interior design front. She’s often called upon to help clients explore and develop their brand philosophy and identity.
The lead architect on our new mixed use development at Hornsey Town Hall discusses how the hospitality sector is evolving to connect guests with the local community.
Great hospitality over the centuries has been about showing care and attention to visitors and strangers, people who are from outside the immediate community. Moving to the present day, more and more hoteliers are trying to connect their guests with the local community. Examples of this range from resorts where guests can learn crafts from local artisans to urban hotels that encourage locals to use their lobbies as workspace.
Our project for Far East Consortium at North London’s Hornsey Town Hall is doing just this, facilitating the interaction of hotel guests with the separate but overlapping local communities of Crouch End, including parents, retirees and freelance workers. A new hotel is only a part of our refurbishment of this listed art deco building; the scheme also includes new co-working and community spaces across the building, plus an arts centre. The lobby is designed to be a shared space where users of these various facilities can mingle, chat, work or wait. The blurring of lines between private and public is something we’re seeing more and more of across all sectors, but nowhere more so than in hotel lobbies.
Make recently hosted events in London and Hong Kong to develop these ideas, inviting major hotel brands like Dorsett, Swire Hotels, Rosewood, Shangri-La, Marriott and more. The theme for the discussion was ‘urban resorts’, and one of the main topics that emerged at both events was the role of the urban hotel to connect its guests with the city and the community – to enable a real sense of communion with the area. There are of course many ‘cities’ within one physical city, so the challenge for the hotelier is to know which ‘city’ their guest wants to experience. One of the more controversial ideas discussed was whether there’s a physical need for a hotel building or whether the ‘hotel’ is actually a series of experiences across a geographical place.
As more and more hoteliers deliver this integration with community, will we see a rise in places for guests to retreat, both in urban hotels and more traditional resorts?
Wellbeing is a word thrown around in all sectors, but surely in hospitality it should be at the heart of the experience. In designing hotels, we need to consider the potential of not only public areas (lobbies, lounges etc) but also semi-public spaces – places that are reserved for guests and designed to enhance their wellbeing, both physical and mental. These could be gardens that provide a retreat into nature, quiet rooms for working or reading, spaces with enhanced air quality.
These semi-public areas could also be learning spaces – for talks and discussions, yoga or meditation classes, mentoring or networking sessions. This would enable guests to create their own community within the hotel. Private members’ clubs such as Soho House are already facilitating the sorts of events where members learn from and listen to each other. Building on this, creating the right blend of guests may become part of the hotelier’s remit. The Nobu Ryokan in Malibu already does this; bookings at this exclusive hotel can only be made by contacting the general manager, who vets potential guests not by their fame or wealth but by whether they will aid the hotel’s ethos of creating a retreat of pure tranquillity.
Looking to the future, hospitality will be about more than just looking after guests and offering a sense of place and integration with the local community; it will also be about creating a guest community within the hotel. Over the last few decades, hotels have transformed from safe ‘islands’ within a city to places that are completely integrated into the urban landscape. The challenge for us as architects and designers will be ensuring that the hotel design is both open and closed at the same time. We’ll need to provide a variety of spaces, from completely public areas open to the local community to semi-public areas reserved for the guest community and fully private guestrooms. It will be interesting to see how this shift continues over the coming decades, with hotels increasingly both part of and apart from the city.
Article extracted from Make Annual 15.
