- Designing in the wake of coronavirus
- Living employment
- Bridging the gap
- Stephen Wiltshire
- International Women’s Day 2020
- Inspiring Girls
- One Make
- Atlas – Tech City statement
- Bringing the brand back to life
- The Architecture Drawing Prize exhibition reviewed
- Coal Drops Yard – creating a new retail destination
- Jack Sallabank interviews Ibrahim Ibrahim, Managing Director of Portland Design
- ‘Architecture in the frame’ – London Art Fair
- A Hong Kong perspective on a post COVID-19 society
- Design narratives and community bonds
- Behind the scenes at the 2019 World Architecture Festival
- Drawing on the culture that makes the buildings
- Future modelmakers 2020
- Q&A with our student modelmakers: Theodore Polwarth
- Q&A with our student modelmakers: James Picot
- The Teaching and Learning Building model by James Picot
- The City is Yours
- Encouraging spaces of conviviality
- The importance and passion of heritage in the built environment
- No show, so what next?
- The Madison model by Theodore Polwarth
- Choosing architectural modelmaking
- The Big Data Institute model by Finlay Whitfield
- Q&A with our student modelmakers: Finlay Whitfield
- State of the market – Hong Kong
- World Heritage Day 2020
- Make models: Agora Budapest
- Asta House – Local living in Fitzrovia
- Project delivery at 80 Charlotte Street
- The next generation of retail brands
- Make models: The Link
- Langlands and Bell – Observing and Observed
- What role will hotels play in our society after COVID?
- Sketchbooks: draw like nobody’s watching
- Transparency and a sense of investment
- Interview with Argent’s Nick Searl
- Leaving a mark
- Interview with Chinachem’s Donald Choi
- The hand does not draw superfluous things
- Interview with Lendlease’s Natalie Slessor
- Make models: 20 Ropemaker Street, part 2
- Balance
- The value of the drawing
- Museum for Architectural Drawing, Berlin
- Make manifesto
- Prized hand-drawings return a building to an organically conceived whole
- Interview with Brookfield Properties’ Stuart Harman
- Drawing details – technical and poetic
- Draw to Make
- Interview with Frasers Property Australia’s Joanna Russell
- Music and the workplace
- Living with loneliness
- Betts Project
- Wellbeing and the workplace
- Interview with Lendlease’s Kevin Chapman
- Interview with Brookfield Properties’ Peter Clarke
- An update from Sydney
- Combatting loneliness in the built environment
- Make models: 20 Ropemaker Street, part 3
- Sydney born and razed
- Make Roundtable
- Make models: 20 Ropemaker Street, part 1
- Interview with Vicinity Centres’ Rachele Godridge
- The smart workplace
- Architecture and Creativity
- Retail innovation beyond the shop door: Lessons from the USA (part 3)
- Retail innovation beyond the shop door: Lessons from the USA (part 2)
- Retail innovation beyond the shop door: Lessons from the USA (part 1)
- Connecting people and places
- Interview with General Projects’ Jacob Loftus
- Drawing to an end?
- High-density living in Hong Kong
- Make’s past, present and future
- The Architecture Drawing Prize – Not just another competition
- Community connections
- My time with the BCO
- The call of the wild
- Long live the office
- The art of an art historian
- Mary, queen of hotels
- Make models: Portsoken Pavilion
- The Make Charter
- Make models: LSQ London
- Disappearing Here – On perspective and other kinds of space
- Why Brexit will see a glass half-full emptied
- Drawing and thinking
- Make models: Grosvenor Waterside
- The Hollow Man: poetry of drawing
- Above and beyond
- Making shops exciting again: Lessons from the Nordics (part 1)
- Making shops exciting again: Lessons from the Nordics (part 2)
- Plein air in the digital age
- A “Plan in Impossible Perspective”
- Making shops exciting again: Lessons from the Nordics (part 3)
- The future of bespoke HQs
- World-class architecture
- Make models: The Luna
- Drawing architecture
- The future is bright but not the same
- Art Editor’s picks
- Employee ownership
- The tools of drawing
- Trecento re-enactment
- The Architecture Drawing Prize exhibition review
- Lessons on future office design from Asia Pacific
- The human office
- How drawing made architecture
- Advocating sustainable facade design
- Make models: FC Barcelona’s Nou Palau Blaugrana
- Drawing as an architect’s tool
- Are you VReady?
- Cycle design for the workplace
- The Architecture Drawing Prize
- Make models: an urban rail station
- Reporting from Berlin
- City-making and Sadiq
- Hand-drawing, the digital (and the archive)
- Ken Shuttleworth on drawing
- The green tiger
- Stefan Davidovici – green Mars architect
- When drawing becomes architecture
- Make models: Swindon Museum and Art Gallery
- The role of the concept sketch
- Make calls for a cultural shift in industry’s approach to fire safety
- 2036: A floor space odyssey
- Harold on tour
- London refocused
- Hotels by Make
- Full court press
- Digital Danube
- Don’t take a pop at POPS
- The future of architecture – Matthew Bugg
- The future of architecture – Jet Chu
- The future of architecture – Robert Lunn
- The future of architecture – David Patterson
- The future of architecture – Rebecca Woffenden
- The future of architecture – Katy Ghahremani
- Safer streets for all
- The importance of post-occupancy evaluation for our future built environment
- Put a lid on it
- Designing for a liveable city
- The future of architecture – Bill Webb
- Bricks – not just for house builders
- Designing in the City of Westminster
- Rolled gold
- How to make a fine suit
- Responsible sourcing starts with design
- Is off-site manufacture the answer?
- Developing a design for the facade of 7-10 Hanover Square
- Curious Sir Christopher Wren
- Responsible resourcing should be an integral part of every project
- The socio-economic value of people-focused cities
We asked ten architects – each of whom joined Make in a different year since 2004 – to write about how they see architecture and the built environment changing over the next ten years. Here are their responses.
China is a metaphor for what has happened to the world over the last 100 years. Hyper-growth economically, institutionally and in the population, has called for the hyper-consumption of resources to feed this demand.
For the Chinese this offers opportunity. Firstly, the scale and projected development of the country as a whole means that even slight increments of change with regards to energy consumption, water use, choice of fuel and material procurement will have a fundamental global impact on us all. Secondly, this is a populace who are highly adaptive and open to change. The urbanisation of the last 20 years has left few Chinese citizens untouched and created a culture where the new – whether this be electric bicycles or building technologies – is quickly embraced as the status quo.
The changes that will affect our profession are the same as those that will affect all professional and manufacturing businesses in China. As predicted by Jim O’Neill, originator of the BRIC (Brazil, Russia, India and China) acronym, there will be a shift from quantity to quality over the next ten years that will impact the built environment from the user upwards. Proven expertise in delivering high-quality buildings will be valued over the ‘bigger is better’ business model, and the consumer will become more sophisticated in what they demand from their built environment.
As information becomes more freely shared and architects begin to understand how to capture, curate and harness ‘big data’ – the information generated by our daily lives – so our products will become more nuanced, which ultimately means less waste.
Proven expertise in delivering high-quality buildings will be valued over the ‘bigger is better’ business model, and the consumer will become more sophisticated in what they demand from their built environment.