![#](https://make-arch.imgix.net/https%3A%2F%2Fwww.makearchitects.com%2Fwp-content%2Fuploads%2F2018%2F01%2FTADP-jerome_ng_work_1_memoirs_of_a_hospice_care_0.jpg?auto=format&crop=center&fit=crop&h=280&ixlib=php-1.2.1&w=210&s=e35231f0db35cefc8fe236dbafa8e6d5 210w,https://make-arch.imgix.net/https%3A%2F%2Fwww.makearchitects.com%2Fwp-content%2Fuploads%2F2018%2F01%2FTADP-jerome_ng_work_1_memoirs_of_a_hospice_care_0.jpg?auto=format&crop=center&fit=crop&h=560&ixlib=php-1.2.1&w=420&s=d9ef99ee5adb5975b96699df77a1a2a4 420w,https://make-arch.imgix.net/https%3A%2F%2Fwww.makearchitects.com%2Fwp-content%2Fuploads%2F2018%2F01%2FTADP-jerome_ng_work_1_memoirs_of_a_hospice_care_0.jpg?auto=format&crop=center&fit=crop&h=1024&ixlib=php-1.2.1&w=768&s=1a67e0cb3fc0dd2740f7aa46165085c9 768w,https://make-arch.imgix.net/https%3A%2F%2Fwww.makearchitects.com%2Fwp-content%2Fuploads%2F2018%2F01%2FTADP-jerome_ng_work_1_memoirs_of_a_hospice_care_0.jpg?auto=format&crop=center&fit=crop&h=1365&ixlib=php-1.2.1&w=1024&s=f2a119596bb4a14c88f49971285ec528 1024w,https://make-arch.imgix.net/https%3A%2F%2Fwww.makearchitects.com%2Fwp-content%2Fuploads%2F2018%2F01%2FTADP-jerome_ng_work_1_memoirs_of_a_hospice_care_0.jpg?auto=format&crop=center&fit=crop&h=1867&ixlib=php-1.2.1&w=1400&s=edfd5c5dfa8915ef326d32a3c5190078 1400w,https://make-arch.imgix.net/https%3A%2F%2Fwww.makearchitects.com%2Fwp-content%2Fuploads%2F2018%2F01%2FTADP-jerome_ng_work_1_memoirs_of_a_hospice_care_0.jpg?auto=format&crop=center&fit=crop&h=2133&ixlib=php-1.2.1&w=1600&s=23d973ee86c415bd8bd5f2160b32a822 1600w,https://make-arch.imgix.net/https%3A%2F%2Fwww.makearchitects.com%2Fwp-content%2Fuploads%2F2018%2F01%2FTADP-jerome_ng_work_1_memoirs_of_a_hospice_care_0.jpg?auto=format&crop=center&fit=crop&h=2560&ixlib=php-1.2.1&w=1920&s=c94c65bf017ede254a209e231c2923c7 1920w)
Jeremy Melvin, Curator of World Architecture Festival (WAF), heralded the drawing as “a superbly conceived and executed perspectival view looking down through the building from roof level, praised for its technical skill and the sensitivity with which it depicted the spaces found in such institutions as settings for multi-generation social interaction.” It was produced as part of Ng’s final diploma project at The Bartlett School of Architecture, University College London.
Christopher Wijatno’s Deepwater Purgatory and Dimitris Grozopoulos’s Scenarios for a Post-Crisis Landscape won in the categories of Digital and Hand-drawn. Wijatno depicted a prison moored like an oil rig in deep water, which judges felt evoked Piranesi and Dante. Grozopoulos’s drawing was commended by judges as having a haunting quality beyond that of most images of post-industrial landscapes, portrayed with an extraordinary control of line.
![#](https://make-arch.imgix.net/https%3A%2F%2Fwww.makearchitects.com%2Fwp-content%2Fuploads%2F2018%2F01%2FTADP-deep_water_purgatory.jpg?auto=format&crop=center&fit=crop&h=136&ixlib=php-1.2.1&w=210&s=882f3bc775e2f9a35ba4a2ba566828e0 210w,https://make-arch.imgix.net/https%3A%2F%2Fwww.makearchitects.com%2Fwp-content%2Fuploads%2F2018%2F01%2FTADP-deep_water_purgatory.jpg?auto=format&crop=center&fit=crop&h=272&ixlib=php-1.2.1&w=420&s=3666ffff3106c19b01b0a060b316f253 420w,https://make-arch.imgix.net/https%3A%2F%2Fwww.makearchitects.com%2Fwp-content%2Fuploads%2F2018%2F01%2FTADP-deep_water_purgatory.jpg?auto=format&crop=center&fit=crop&h=498&ixlib=php-1.2.1&w=768&s=741a82d40af0e3b27b0d4fdfe22437ff 768w,https://make-arch.imgix.net/https%3A%2F%2Fwww.makearchitects.com%2Fwp-content%2Fuploads%2F2018%2F01%2FTADP-deep_water_purgatory.jpg?auto=format&crop=center&fit=crop&h=664&ixlib=php-1.2.1&w=1024&s=1f2bc62316f4a620b449b57d3e5e8e17 1024w,https://make-arch.imgix.net/https%3A%2F%2Fwww.makearchitects.com%2Fwp-content%2Fuploads%2F2018%2F01%2FTADP-deep_water_purgatory.jpg?auto=format&crop=center&fit=crop&h=908&ixlib=php-1.2.1&w=1400&s=45f196e19cdf54ba830ae499231d4ee5 1400w,https://make-arch.imgix.net/https%3A%2F%2Fwww.makearchitects.com%2Fwp-content%2Fuploads%2F2018%2F01%2FTADP-deep_water_purgatory.jpg?auto=format&crop=center&fit=crop&h=1038&ixlib=php-1.2.1&w=1600&s=94e7671b02ce78dea1060bdbbc5bc1f3 1600w,https://make-arch.imgix.net/https%3A%2F%2Fwww.makearchitects.com%2Fwp-content%2Fuploads%2F2018%2F01%2FTADP-deep_water_purgatory.jpg?auto=format&crop=center&fit=crop&h=1245&ixlib=php-1.2.1&w=1920&s=212fdc33ab22c65f099e6a667b3bc7cb 1920w)
![#](https://make-arch.imgix.net/https%3A%2F%2Fwww.makearchitects.com%2Fwp-content%2Fuploads%2F2018%2F01%2FTADP-scenarios_for_a_post_crisis_landscape.jpg?auto=format&crop=center&fit=crop&h=93&ixlib=php-1.2.1&w=210&s=4a92d4c22d271fa5fab1ee02a5602a05 210w,https://make-arch.imgix.net/https%3A%2F%2Fwww.makearchitects.com%2Fwp-content%2Fuploads%2F2018%2F01%2FTADP-scenarios_for_a_post_crisis_landscape.jpg?auto=format&crop=center&fit=crop&h=187&ixlib=php-1.2.1&w=420&s=467f2061e5566989fb6dbcd99b8842c5 420w,https://make-arch.imgix.net/https%3A%2F%2Fwww.makearchitects.com%2Fwp-content%2Fuploads%2F2018%2F01%2FTADP-scenarios_for_a_post_crisis_landscape.jpg?auto=format&crop=center&fit=crop&h=341&ixlib=php-1.2.1&w=768&s=fb6470bb5e1b3dbd89bfcdcc4902ff84 768w,https://make-arch.imgix.net/https%3A%2F%2Fwww.makearchitects.com%2Fwp-content%2Fuploads%2F2018%2F01%2FTADP-scenarios_for_a_post_crisis_landscape.jpg?auto=format&crop=center&fit=crop&h=455&ixlib=php-1.2.1&w=1024&s=7a5a0f2602a7f648cd57db2755f39548 1024w,https://make-arch.imgix.net/https%3A%2F%2Fwww.makearchitects.com%2Fwp-content%2Fuploads%2F2018%2F01%2FTADP-scenarios_for_a_post_crisis_landscape.jpg?auto=format&crop=center&fit=crop&h=622&ixlib=php-1.2.1&w=1400&s=28292d1e3d7fee9802b32c2fc225a60a 1400w,https://make-arch.imgix.net/https%3A%2F%2Fwww.makearchitects.com%2Fwp-content%2Fuploads%2F2018%2F01%2FTADP-scenarios_for_a_post_crisis_landscape.jpg?auto=format&crop=center&fit=crop&h=711&ixlib=php-1.2.1&w=1600&s=7eac5bd32fe28a39c39896c563a9405d 1600w,https://make-arch.imgix.net/https%3A%2F%2Fwww.makearchitects.com%2Fwp-content%2Fuploads%2F2018%2F01%2FTADP-scenarios_for_a_post_crisis_landscape.jpg?auto=format&crop=center&fit=crop&h=854&ixlib=php-1.2.1&w=1920&s=2d5fe563c8d3823259c8fea2ba161c8b 1920w)
With over 166 entries from students, architects and designers from 26 different countries, this exhibition will feature the 3 winning entries, plus the 10 commended entries.
The Architecture Drawing Prize at the Soane continues the Museum’s exploration of the role of architecture both in classical and contemporary culture.
Owen Hopkins, Senior Curator of Exhibitions and Education at Sir John Soane’s Museum, said: “Drawing is the driving force of architecture, a statement that’s as true today as it was for Sir John Soane when he created his house-museum and its collection of over 30,000 drawings nearly 200 years ago. Drawing acts as a way of thinking and observing, as a design tool, as a means of visualising ideas, of developing and communicating them, and as field for the speculation and imagination, where alternate futures and architectural realities can be brought into existence. The works on show in the exhibition reflect this extraordinary diversity of approaches to and uses of architectural drawing, demonstrating that the art of architectural drawing is well and truly alive”.
Ken Shuttleworth, founder of Make, said: “Drawing has always been a passion of mine. I imagine it is for most architects. So few drawings are realised as actual buildings, but this is a chance to celebrate the drawing as its own creation, its own piece of art. We hope that this exhibition will provide an exciting snapshot of creative thinking and excellence in drawing from around the world.”