- Heritage and Restoration: Shell House
- The big design moves
- 10 Carrington Street office tower and lobby
- “I’ve wanted to be an architect since I was four years old.”
- “I’m learning that architectural designs will need to work in the real world.”
- Make–ReMake
- Embodied carbon of transportation
- From listed buildings to 21st-century schools [2/2]
- Inspired by “art built” – an interview with Marc Brousse
- Embodied carbon in curtain walls
- Reducing embodied carbon isn’t all about materials
- Hospitality: The Non-Issues
- “Tall buildings mesmerise me.”
- Make models: metal etching
- “I’m the first one in my family pursuing architecture.”
- “What can you see behind this building?” – an interview with Chenglin(Able) Jin
- My next getaway
- Make models: 80 Charlotte Street
- Living Architecture: Urban Forest
- “I want to build things that will explore new depths of the sea.”
- Upfront carbon: how good is good enough?
- Winner of The Architecture Drawing Prize 2020 – an interview with Clement Laurencio
- Restoring Hornsey Town Hall’s clocks
- A Proposed Hierarchy for Embodied Carbon Reduction in Facades
- From listed buildings to 21st-century schools [1/2]
- Comparing embodied carbon in facade systems
- Building Natural Connections with Energy, People, Buildings
- Bridging the gap
- Designing in the wake of coronavirus
- University tech
- Living employment
- Atlas – Tech City statement
- Four ways residential design might change after COVID-19
- Coal Drops Yard – creating a new retail destination
- Post COVID-19 – What’s next for higher education design?
- Inspiring Girls
- Stephen Wiltshire
- The future of retail and workplace
- Make models: The Cube
- International Women’s Day 2020
- Architectural Drawing: States of Becoming
- One Make
- Interview with Sarah O’Hara
- Bringing the brand back to life
- Post-COVID
- The Architecture Drawing Prize exhibition reviewed
- Jack Sallabank interviews Ibrahim Ibrahim, Managing Director of Portland Design
- ‘Architecture in the frame’ – London Art Fair
- A Hong Kong perspective on a post COVID-19 society
- Chadstone Link: Making new connections
- Improving social ties in our cities
- Design narratives and community bonds
- Education Q&A
- Behind the scenes at the 2019 World Architecture Festival
- Drawing on the culture that makes the buildings
- Future modelmakers 2020
- The City is Yours
- After coronavirus, how can we accelerate change in workplace design to improve connection and wellbeing?
- Ask the Makers
- The Madison model by Theodore Polwarth
- Q&A with our student modelmakers: Theodore Polwarth
- The Teaching and Learning Building model by James Picot
- Q&A with our student modelmakers: James Picot
- Pablo Bronstein
- The Big Data Institute model by Finlay Whitfield
- Q&A with our student modelmakers: Finlay Whitfield
- Hospitality: Business as usual, or is it?
- Encouraging spaces of conviviality
- The importance and passion of heritage in the built environment
- No show, so what next?
- Choosing architectural modelmaking
- Make Roundtable
- Exchange Issue No. 3 Education and Research – Foreword
- State of the market – Hong Kong
- World Heritage Day 2020
- Make models: Agora Budapest
- Knowledge Exchange and Social Connection
- Interview with Julian Robinson
- Interview with Peter McGeorge
- Drawing in Architecture
- Interview with Dr Julie Wells
- Photo Essay
- Interview with Siu-Man Fung
- The university of the future
- Campus and the City
- Draw in order to see
- Universities reshaping London
- Interview with Hong Kong Design Institute’s Joseph Wong
- Project delivery at 80 Charlotte Street
- Students speak
- Our commitment to sustainable design
- Asta House – Local living in Fitzrovia
- The next generation of retail brands
- Interview with Stephen Talboys
- Make models: Chadstone Link
- Transparency and a sense of investment
- Langlands and Bell – Observing and Observed
- Wellbeing in the university landscape
- Telling Stories: The power of drawing to change our cities
- Musings on The Architecture Drawing Prize 2020
- What role will hotels play in our society after COVID?
- Sketchbooks: draw like nobody’s watching
- Honest, in-depth learning
- Museum for Architectural Drawing, Berlin
- Make models: 20 Ropemaker Street, part 2
- The value of the drawing
- The hand does not draw superfluous things
- Balance
- Interview with Lendlease’s Natalie Slessor
- Prized hand-drawings return a building to an organically conceived whole
- Draw to Make
- Interview with Brookfield Properties’ Stuart Harman
- Drawing details – technical and poetic
- Betts Project
- Interview with Frasers Property Australia’s Joanna Russell
- Music and the workplace
- Living with loneliness
- Combatting loneliness in the built environment
- Wellbeing and the workplace
- Interview with Brookfield Properties’ Peter Clarke
- An update from Sydney
- Retail innovation beyond the shop door: Lessons from the USA (part 1)
- Make Roundtable
- Make models: 20 Ropemaker Street, part 3
- Sydney born and razed
- Interview with Argent’s Nick Searl
- Retail innovation beyond the shop door: Lessons from the USA (part 2)
- Connecting people and places
- Make models: 20 Ropemaker Street, part 1
- Retail innovation beyond the shop door: Lessons from the USA (part 3)
- Interview with Vicinity Centres’ Rachele Godridge
- The smart workplace
- Architecture and Creativity
- Interview with General Projects’ Jacob Loftus
- Interview with Chinachem’s Donald Choi
- High-density living in Hong Kong
- Make’s past, present and future
- Make manifesto
- The Architecture Drawing Prize – Not just another competition
- Leaving a mark
- Community connections
- My time with the BCO
- The call of the wild
- Long live the office
- The art of an art historian
- Mary, queen of hotels
- Make models: Portsoken Pavilion
- The Make Charter
- Why Brexit will see a glass half-full emptied
- Make models: LSQ London
- Disappearing Here – On perspective and other kinds of space
- Drawing and thinking
- Drawing to an end?
- Making shops exciting again: Lessons from the Nordics (part 1)
- Make models: Grosvenor Waterside
- Drawing architecture
- The Hollow Man: poetry of drawing
- Above and beyond
- Interview with Lendlease’s Kevin Chapman
- Making shops exciting again: Lessons from the Nordics (part 2)
- Plein air in the digital age
- A “Plan in Impossible Perspective”
- Art Editor’s picks
- Making shops exciting again: Lessons from the Nordics (part 3)
- The future of bespoke HQs
- Make models: The Luna
- World-class architecture
- The Architecture Drawing Prize exhibition review
- The future is bright but not the same
- Employee ownership
- The tools of drawing
- Trecento re-enactment
- Lessons on future office design from Asia Pacific
- The human office
- How drawing made architecture
- Advocating sustainable facade design
- Make models: FC Barcelona’s Nou Palau Blaugrana
- Drawing as an architect’s tool
- Are you VReady?
- Cycle design for the workplace
- The Architecture Drawing Prize
- Make models: an urban rail station
- Reporting from Berlin
- City-making and Sadiq
- Hand-drawing, the digital (and the archive)
- Ken Shuttleworth on drawing
- The green tiger
- Stefan Davidovici – green Mars architect
- When drawing becomes architecture
- Make models: Swindon Museum and Art Gallery
- The role of the concept sketch
- Make calls for a cultural shift in industry’s approach to fire safety
- 2036: A floor space odyssey
- Harold on tour
- London refocused
- Hotels by Make
- Full court press
- Digital Danube
- Don’t take a pop at POPS
- The future of architecture – Matthew Bugg
- The future of architecture – Jet Chu
- The future of architecture – Robert Lunn
- The future of architecture – David Patterson
- The future of architecture – Rebecca Woffenden
- The future of architecture – Katy Ghahremani
- Safer streets for all
- The importance of post-occupancy evaluation for our future built environment
- Put a lid on it
- Designing for a liveable city
- The future of architecture – Bill Webb
- Bricks – not just for house builders
- Designing in the City of Westminster
- Rolled gold
- How to make a fine suit
- Responsible sourcing starts with design
- Is off-site manufacture the answer?
- Developing a design for the facade of 7-10 Hanover Square
- Curious Sir Christopher Wren
- Responsible resourcing should be an integral part of every project
- The socio-economic value of people-focused cities
The Hong Kong retail scene has changed dramatically in recent years. There are still the glitzy shopping malls that cater for the wealthy Hongkongers, mainland tourists and expats. But alongside these you’ll now find alternative malls built around strong brands that promote wellness and experiential shopping. These centres often incorporate galleries, co-working spaces and food outlets.
K11 Musea is one such destination, by New World Development. Located right on the harbourfront in Kowloon’s Tsim Sha Tsui (TST), it is set to open in summer 2019.
The building is designed with global millennials in mind. It showcases an extensive selection of international brands but is not solely about shopping. Instead, it blurs the boundary between retail and other amenities by merging art and culture with retail. An outdoor interactive events space can host fashion shows to attract visitors beyond shopping as well as movie screenings to encourage caterers to serve food outside the confines of their restaurants.
Musea also houses a public art collection, displayed across the building; a 550m2 flagship store by New York’s Museum of Modern Art (MoMA); and one of the largest integrated green walls in the world, with a surface area of over 4,600m2 – equivalent to 18 tennis courts.
Elsewhere in TST, the Ocean Terminal has maximised its seafront location to create a strong sense of place. Newly opened at the end of 2018, the old docks have been remodelled to offer shopping, pop-ups and family-oriented retail as well as F&B, all under one roof. Some of the restaurant’s terraces step down towards the harbour, giving views across to Hong Kong Island and beyond. Conveniently located on the ground floor are popular family shops and brands such as Bookcastle, Molo and Bonpoint, combined with restaurant favourites like Pizza Express, Muji Café & Meal and City Super’s cooked deli counter.
In 2010, the Hong Kong government established a new policy to make it easier and cheaper for developers to convert industrial buildings into nonindustrial use, as long as they’re more than 15 years old. In 2018, two major new developments in former vacant heritage buildings – Tai Kwun and The Mills – opened their doors with new uses to the public.
The Hong Kong Jockey Club, in partnership with the Hong Kong Government SAR, invested HK$3.8 billion into the former development, converting an historical police station, barracks, armoury, magistrates’ court and prison into a carefully curated cultural complex that includes contemporary retail, performing arts spaces and galleries. Tai Kwun is located in Soho, one of Hong Kong’s prime real estate areas, and is bounded by the Central district’s skyscrapers.
Tai Kwun has brought 16 heritage buildings back to life with new concept restaurants, shops, workshop spaces and a teahouse. The complex allows people to walk through the former colonial Victoria Prison and Magistrates’ Court into what is now JP Contemporary, a not-for-profit new exhibition space, as well as 1,500m2 of smaller galleries. On the former prison steps, movies are screened and dance performances given, geared towards many demographics, including families.
Tai Kwun has also launched its own app that encourages a further level of engagement and interaction with visitors and customers. Designed as a game, it offers users rewards such as discounts at its restaurants. With many Hong Kong factories relocating to mainland China or South East Asia, these two schemes are an important model for future mixed use retail development.