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A
Z
Interview with Hong Kong Design Institute’s Joseph Wong
Current
2020
list Article list

Make’s Sean Affleck talks to Joseph Wong, Vice Principal at the Hong Kong Design Institute, about sustainability in Hong Kong and inspiring future generations.

 

sean affleck: Hong Kong isn’t known as the most sustainable city in the world, but it is changing. As an academic working to inspire future generations, what are your views on that?

joseph wong: It’s true we’re behind the curve. I’m a current council member of the Hong Kong Institute of Architects and I serve on their sustainable development business group, so I’ve been following sustainable design in the city for quite a while now.
What frustrates me is that although Hong Kong has talked about it for quite a while, we still don’t really see it. We’re still applauding buildings for having two or three ‘features’ like solar shading or PV panels, but there’s nothing to encourage a building to actually be sustainable. Their sustainability features are simply solving problems the building design has created. In my opinion that’s indicative that sustainability wasn’t thought about early enough.
For me, sustainability is looking at how buildings can continually change. So much energy is used because developers don’t actually look at how we, the occupier, will use the building. I think the days of accruing points in a LEED or BEAM system are past. There has to be a more holistic way of looking at it.

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Hong Kong Design Institute (HKDI) was designed by French architectural practice Coldefy, to provide an open and dynamic environment conducive to creative learning and exploration. HKDI attained BEAM Plus ‘Gold’ from Hong Kong Green Building Council. Photograph Ambrose Fok, fyr design studio
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The 125 metre-long Design Boulevard connects the four towers of HKDI, as well as the auditorium and multifunctional and exhibition spaces on both sides. This provides a meeting place for HKDI community and the general public, through exhibitions and creative events, and functions as a cultural hub of the district. Photograph Ambrose Fok, fyr design studio
 

sa: So, you’d argue that flexibility is key?

jw: Yes, but also adaptability. When I was teaching at City University of Hong Kong, I conducted research on open buildings and adaptable spaces which can be retrofitted to prolong their life in use. We’re not good at this in Hong Kong, we tear down buildings just because they don’t fit their use anymore. I remember watching a 15-year-old hotel get torn down just because they wanted to change it into an office. There was no consideration of adaptability.
It’s interesting because even in the way architecture is taught these days, there seems to be an assumption that buildings will be used the same way 24/7, but a building’s usage can change so dramatically over time. Take our own campus at HKDI as an example. It’s much more interactive, working with international institutions, collaborating, much more project work, but our building can’t always offer the flexibility that these changes mandate.
Now we should be designing for varying activities and different scales – one-to-one, small group learning, presenting to overseas groups, preparing a video, etc. Large-scale lecture theatres aren’t needed so much, for example, so how can we make better use of our 700-seater theatre, which takes up a lot of room and uses a lot of energy? Now that students can download the lecture to listen in their own time, do we still need those big energy-guzzling spaces? It has to be about how we control and monitor uses within the building, so that we can turn off spaces that are not in use.

sa: What happens when the students aren’t there? Like during the holidays and especially now, when people aren’t travelling – does that relationship between campus and city change?

jw: Our campus is quite good in that regard, all the public spaces and some of the facilities are open to the public or can be leased out for use by outside groups. So there is a design factor here. A number of the secondary schools in Hong Kong have their halls located on upper floors of the building and not on the ground floor, so if you want to lease out or open the halls to the public, it presents a problem. So, for me again it comes down to studying the buildings to learn how we can use them more efficiently – who are the different users? How can we make the most of the building? We need to consider the access through the buildings and, especially now, how to minimise contact between different groups of people. This is a great opportunity for designers to think about that.

sa: So we need to make the architecture more adaptable. That would make it more exciting in a way.

jw: Yes, but also more human because we must talk more to the users of the design. Academia seems to be still in the phase of wanting iconic buildings, and they do attract and excite the students, but then they realise that some windows can’t even open!